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So you're listening to a nice, pleasant song about and. Then the final note of the song falls and, instead of a nice soft resolution, it's a heavily played note in a minor.

Then the music fades into a series of dissonant arpeggios with a creepy mechanical voice muttering some nonsensical gibberish that sounds like Satan reciting an story. It's surely not the ending you expected this particular song to have — and if you happen to be really unlucky, it'll like some self-regenerating. Musicians most likely put these kinds of stingers at the ends of their songs to make them memorable. Last Note Nightmare can be very comparable to a, especially of the variety. The opposite of a Last Note Nightmare is. (Music geeks might be interested to that there is an, the 'Picardy third,' or 'Tierce de Picardie' in which when a song that has been in minor the whole time goes into major on the very last chord.) Compare and. 'WHAT DO YOU MEAN, IT'S NOT IN THE COMPUTER?!?!'

• The end of 'Hollywood' consists of a heavily synthesised, androgynous voice saying Push the button!/Don't push the button! Which gradually slows down as the background music fades and becomes a contorted, almost demonic mess. • Here's an inversion of the trope: 's 'Another Part of Me' from begins with an note, but becomes a normal MJ song after that.

• The singles 'Dirty Diana' and the much more well-known 'Smooth Criminal', both from begin with similar noises. The video for the former ends with the same noise, which acts as a very effective soundtrack to the video's. • 'Stranger In Moscow' from, a slow, moody ballad, ends with a man whispering menacingly in Russian over the end. Chills right up the spine. Allegedly this is a KGB agent interrogating us. The liner notes for Michael's album Blood on the Dance Floor: History in the Mix give a translation: 'Why have you come from the West? To steal the great achievements of the people, the accomplishments of the workers.'

• The ' version of 'Superstar' has a morose and unsettling resolution. Petsmart Associate Handbook Brookdale. • 's 'That's The Way I've Always Heard It Should Be', already a rather dark and cynical song, ends with her vocal echoing off very eerily. • The last part of Lara Fabian's is particularly creepy. While it could be argued that the sound fits considering the theme is Lara teaching young children about violence in history, it still doesn't change the fact that the last part of the song is incredibly creepy.

In fact, watching the video only adds to the dread the song makes you feel. • Scissor Shock's • Inverted with the extended mix of song 'Jungleland'. It starts out with heavy breathing, with starts getting louder, and louder, AND LOUDER! The rest of the song is just awesome though.

I Was Dead For 7 Weeks In The City Of Angels Download Free. • Played straight with 'Murder Story,' the last song on their first album. The sudden ending is quite jarring, and makes listening to their second album even creepier. • 'Somehow' by Drake Bell is ostensibly about a battered wife who eventually decides she's had enough, weighs her husband down and throws him into the lake, and is now pondering how to cover it all up. This is creepy enough, but the slow, dark, acoustic guitar-y song ends with a snippet off cheerful piano music, which suggested that the woman snapped entirely and is now in a state of cheerful, giggling insanity.